Upgrades are free to users who bought Revoice Pro 3.3 on March 12th, 2018, or later.
The upgrade is $144 USD during the sale (regular $180 USD). Revoice Pro 4 for Windows and Mac (VST/AU/AAX) is available for the intro price of $479 USD until October 17th, 2018 (regular $599 USD). And last but not least, Revoice Pro 4 users now have the choice to use iLok Cloud based licensing for authorization, meaning there’s no need for an iLok USB Key to run or try the application. Revoice Pro is now ARA 2 compatible, which means significantly improved integration with ARA 2-ready DAWs. Numerous graphic and workflow improvements, such as user-definable key commands, have also been implemented. The unique Audio Performance Transfer has been further refined, and users can choose between APT Music and Dialog modes depending on the task at hand, for even better results when aligning the pitch, time or level of one track to another. With other time-modifying applications, the vibrato speeds up or down when the length of a part is altered.
Highlights include the new Vibrato Warp function, which intelligently identifies the singer’s vibrato characteristics, and retains them-even when time stretching or compressing their voice. Revoice Pro 4 raises the bar further with its over 70 new features and improvements.
Revoice Pro also offers comprehensive manual adjustment of timing, pitch and vibrato, a de-esser and a fantastic sounding doubler. Revoice Pro’s unique Audio Performance Transfer (APT) function can clone the timing, pitch and level of one audio track and apply it to another (or several others)-perfect for tightening up multi-layered vocal tracks, and for dialog replacement in film. Its users do not only appreciate the time they save on editing tasks, but also the program’s ability to retain the natural sound and feel of the original recording, even while performing significant adjustments to the audio. Each of them has their strength (Revoice: really fast aligning of bgvs and doubles), both sound very good.Since its initial launch in 2012, Revoice Pro has become a staple for timing and pitch adjustment for vocals, dialog and instruments for audio engineers in both the music and post production industries. But I wouldn't want to miss Revoice either.
Revoice Pro 4’s pitch correction interface can be confusing but with a bit of practice can achieve excellent results. Also love the other new features (low frequency kick detection, leveling etc.). Pro-Tools Expert Verdict: The results that it can achieve are truly amazing, and in certain situations could be the make or break of a production, especially if the singers pitch and timing leave a lot to be desired. The new tuning macro is absolutely great, sounds fantastic. But now I have tested Melodyne 5 and I have to say that I love it. Revoice just felt and sounded better in my opinion. I definitely used Melodyne for polyphonic stuff, because Revoice can't do that, and for tuning kicks etc., but never for vocal tuning. I preferred the Revoice tuning algorithm a lot to Melodyne Studio 4 (which I also have since a couple of years). SkrinsenTough question, I use Revoice Pro 4 since a couple of years and love it, for vocal aligning (in bulks), de-essing and for vocal tuning. Now it´s time to either upgrade to Melodyne 5 or Revice Pro 4.Īnyone here with experience with both? Pro and cons? Are there any good arguments for having both? I´ve been using Celemony Melodyne for years, but are getting mails from Synchroarts about Revoice Pro deals.